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    Seit 1986 zeigen wir in unserer Galerie, die immer schon unkonventionell arbeitete, Ausstellungen zeitgenössischer Künstlerinnen und Künstler, deren Sprache und Herangehensweise an Räume, Phänomene und Fragen der Zeit uns interessiert. Begonnen haben wir in der Galleria Periferia in Poschivo, am Rand unseres Landes; seit 1992 befinden sich die Galerie und der Verlag in Luzern. 

     

    SHOWROOM

    Showroom GALLERIA EDIZIONI PERIFERIA 
    Unterlachenstrasse 12
    CH-6005 Luzern

  • Beteiligung an auswärtigen Ausstellungen

    Urs Lüthi, «SPACES»
    Centre culturel suisse / Parisphoto, ab 8. 11. 2011

    Dieter Roth, «Ringe»
    mudac, Lausanne, 2. 7. bis 5. 11. 2008
    Musée des arts décoratifs, Paris, 14. 2. bis 11. 5. 2008
    Aargauer Kunsthaus, Aarau, 28. 1. bis 15. 4. 2007
    MAK, Wien, 7. 6. bis 29. 10. 2006

    Urs Lüthi, «Art is the better life»,
    Biennale di Venezia, Schweizer Pavillon, Juni bis November 2001

2 Volumes (not for sale individually)
Design: Urs Lüthi.
Hardcover, 20,3 × 25 cm,
Volume 1: 116 pages,
with 93 b/w-photos.
Volume 2: 36 pages (fold-out),
With 15 colour-photos.
Edition of 500, signed and numbered
ISBN 978-3-9522474-2-6
CHF 200.– / EUR 165.–

Volume 1: A photo story in 96 b/w pictures shows Urs Lüthi from November 2000 to June 2001, during preparations in Munich, while installing his work in the Swiss Pavilion, and at the opening of his exhibition at the 49th Venice Biennale.

Volume 2: A tour of the Biennale exhibition in 15 large-format, colour photographs ( 1 foldout& 8 gatefolds)

Edited by Flurina and Gianni Paravicini-Tönz
With an essay (german / french / english) by Ursula Pia Jauch.
Photographie: Urs Lüthi, Gianni Paravicini.
Design: Urs Lüthi.
With CD: Record of the conzert by Urs Lüthi in the "Marianischer Saal", Luzern.
Hardcover, 20,3 × 25 cm, 132 pages
Edition: 500, numbered and signed
2005
ISBN 978-3-907474-16-7
CHF 90.– / EUR 75.–

 

«What remains of clarity ist he beauty of ambivalence» Ursula Pia Jauch
(see also THE REVENGE / THE REMAINS OF CLARITY)

Edited by Flurina and Gianni Paravicini-Tönz & Peter Zimmermann.
With an essay (german / english) by Max Wechsler.
Design: Peter Zimmermann
Hardcover (linen, acrylic glass); 15,5 × 21,5 cm.
224 pages, thereof 180 coloured.
1999

ISBN 978-3-9520474-7-7
CHF 48.– / EUR 39.–

 


Special Edition A:

Book with 2 signed frisbees.
Editon: 15 
OUT OF PRINT


Special Edition B:

Book, numbered and signed.
Edition: 240 
OUT OF PRINT

PLACEBO&SURROGATES evoke artificial worlds and seem to hold out the promise of paradise on earth. Two works from this series are represented in this full colur publication. Coffee mugs with pictures or texts are seen in 150 individual colour reproductions, as well as colourful Frisbees floating through the skies with EXERCISES printed on them: therapeutic prescriptions for improving our lives or, as the title tells us, ART FOR A BETTER LIFE.

 

Edited by Flurina and Gianni Paravicini and Amedeo Martegani.
All cataloges, artist books and monographs from 1973 to 2000.
With coloured illustrations.
Booklet, 10,5 × 15 cm, 40 pages.
2000
ISBN 978-3-9520474-9-1
CHF 10.- / € 8.-

 

These inventories contain all the catalogues, artist’s books and monographs on or by the artists. The booklets are a handy reference work for collectors and lovers of the artist’s publications.

 

 

Cataloge of the Shwiss Pavillon XLIX. Biennale di Venezia.
Edited by Bundesamt für Kultur, Bern and by Flurina and Gianni Paravicini.
With essays (german / english and french / italian) by Max Wechsler, Heiner Georgsdorf and Michelle Nicol.
Design: Stephan Fiedler.
2 volumes in a slipcase
Volume 1: Hardcover, 20 × 25 cm
160 pages, thereof 51 colour pages.
Volume 2: Paperback, 20 × 25 cm
144 pages, throughout coloured
2001

Edition german / english:
ISBN 978-3-9522474-0-2 
CHF 48.– / EUR 39.–

Edition italian / french:
ISBN 978-3-9522474-1-9 
CHF 48.– / EUR 39.–

This two-volume catalougue in a slipcase with numerous full colour reproductions was published fort he artist’s exhibition in the Swiss Pavilion at the 49th Venice Biennale. The first volume reviews all the facets of Lüthi’s prolific and diverse oeuvre. The essays range from contemporary analysis of the sixties to work created in the new millennium. The second volume in paperback is designed as a flip-book, for viewers to enjoy a moving picture of Lüthi in action.

 

Edited by Flurina and Gianni Paravicini-Tönz and Galleria Gianluca Collica, Catania.
With an essay (german / english /italian) by Helmut Friedel.
With 56 colour-photos.
Design: Urs Lüthi, Gianni Paravicini.
Hardcover, 20,3 × 25 cm, 72 pages.
Edition of 500, signed and numbered
2002

ISBN 978-3-9522474-9-5
CHF 90.– / EUR 75.–

Catania, February 2002: the mimosas are in radiant yellow bloom, the fruits of the Mediterranean are on sale in the open belly of the city, and Urs Lüthi – with his bouquet of roses in one hand – holds a mirror up to us in the other.

 

Edited by Flurina and Gianni Paravicini-Tönz
With an essay (german/french/english) by Rainer Michael Mason.
With 56 photos by Urs Lüthi.
Design: Urs Lüthi.
Hardcover, 20,3 × 25 cm, 72 pages.
Edition 500, signed and nummered
2003
ISBN 978-3-907474-08-2
CHF 90.– / EUR 75.–

This book shows images of recent works by Urs Lüthi done in the year 2003 at four exhibitions sites: Zurich, Lucerne (Museum of Art Lucerne), Paris (FIAC), and Munich. This ist he third publication in the series of black books, following THE VENEZIA PAVILION 1&2 and TRASH AND ROSES FOR CATANIA.

In THE REVENGE & THE REMAINS OF CLARITY, as in the first two volumes, the little man dressed in blck shorts, sneakers and professorial eyeglasses performs everyday tasks wicht are even more unsettling than those in earlier pieces.

Edited by Christoph Lichtin and Flurina and Gianni Paravicini-Tönz.
With essays (german / english / french / italian) by Christoph Lichtin, Rainer Michael Mason and Vallerio Dehò.
Design: Urs Lüthi, Camillo Paravicini
Flexicover artificial leather, with gilt edging
10 × 14,8 cm, light weight paper.
1824 pages, thereof 96 coloured.
January 2009
ISBN 978-3-907474-51-8
CHF 96.– / EUR 79.–

Available only by direct order.

In his new book, Urs Lüthi looks back on 40 years of artistic production. The publication deals not only with his individual works and installations but also with his impressive roster of exhibitions. These range from «Thought Processes Made Visible» (1970) and «Transformer» (1974), both curated by Jean-Christophe Ammann, to the Biennale in Venice (2001) and, most recently, his major retrospective at the Lucerne Museum of Fine Art (2009). Lüthi’s wide-ranging oeuvre demonstrates the importance of exhibition design in presenting his work. Printed on thin paper, the substantial publication contains 500 reproductions and several essays on various aspects of the artist’s oeuvre.

Conzept and Design: Urs Lüthi
Softcover 46,5 × 29,5 cm, sewn binding, inside flaps
276 pages in full colour  
Limited Edition of 400, numbered und signed 
June 2011
ISBN 978-3-907474-95-2

Slipbox together with  two-part aluminium sculpture (book ends). Edition of 9. Available only by direct order.


In his 2009 and 2010 retrospectives that toured several international museums, Urs Lüthi consolidated his position as one of the most distinctive representatives of international art. In SPACES, fullcolor, largeformat photographs present a chronology of the artist’s treatment of space, complementing the outofprint publication Art is the better life. Viewers are wordlessly conducted through the rooms, installations and environs of Lüthi’s most important international exhibitions since 2009. When the artist situates a work in a room, he does not simply change it; he incorporates it temporarily into the work itself. This applies not only to large and extensive presentations but also to the carefully deliberated placement of a small work. Lüthi occupies and appropriates the spaces of his works in a fashion that overcomes the selfreferential threshold between the viewer and the artist, who often figures as the subject matter of his own works.

 The exhibition and book SPACES were on view in 2011 at the Centre culturel suisse in Paris and 2012 im Brandts Museet for Fotokunst, Odense.  

 

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